-- Reviews by the Famous and well Known
For a while there, in the sixties, it felt like Britain was the centre of the Rock ‘n’ Roll universe. Spearheaded by the Beatles, British music had stormed to the top of the charts all across the planet.
A young, exciting, new generation of musicians had arrived, blowing away the old order and grabbing hold of the music scene, taking playing and production to heights of energy and creativity we had never experienced before. In particular, the late sixties yielded a mind-blowing array of world-class UK guitar heroes who completely changed the perception of what the instrument could do.
Eric Clapton, Jeff Beck, Jimmy Page, Pete Townshend, Rory Gallagher, Alvin Lee, Peter Green, Keith Richards, Mick Taylor and others were taking their playing to completely new levels of feel and expertise.
Standing right beside them was blues guitarist and founder member of Jethro Tull, Mick Abrahams.
He made his studio debut with Jethro Tull on the album ‘This Was’, which stormed into the charts in 1968. By then, the band had become established as one of Britain’s most spectacular live acts, with Mick’s distinctive style beautifully offsetting the flute playing and wild stage antics of co-founder Ian Anderson.
‘This Was’ mostly featured music written by Mick and Ian, but the record also included the traditional blues song ‘Cat’s Squirrel’ ... the track that did more than anything to forge Mick’s reputation as one of the finest guitar players of a golden generation.
The book you are about to read tells the story of the curve up to that point and of the trials, tribulations and triumphs since ... a road trip through the life of a born survivor, through good times and bad.
Forty years on from those heady days of the sixties, I am preparing to go onstage to introduce Mick and a host of special guests at his 65th birthday concert, to celebrate his contribution to British music and to acknowledge his continued dedication to the creation of great blues, country, rock and jazz influenced music that is both heartfelt and unique.
The sixties was a fantastic time. Today is even better.
Bob Harris, Radio Presenter - Written the Foreword
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-- Newspaper and Website Reviews
FOUNDER MEMBER IN VILLAGE BOOKSHOP
MICK ABRAHAMS, the original guitarist with the successful rock band Jethro Tull will be signing copies of his autobiography in London Colney on Saturday, April 4.
Although he was one of the group's founders, he left after only one album, because of musical differences with singer Ian Anderson, later performing with Blodwyn Pig.
Publicist Jackie Bright said: “In his autobiography What is a Wommett,Mick finally puts the record straight about this parting of the ways and the events that have shaped the man and his music since that time up to the present day.
Abrahams has continued to delight fans with his own brand of blues, jazz and rock on highly acclaimed albums spanning several decades.
“Packed with anecdotes and stories about Mick’s life in and out of the spotlight, this book is a must have for his fans and anyone who remembers the excitement of the emerging new musical talent of the Sixties.”
The guitarist will be in Borders in High Street between 12.30pm and 2pm.
St Albans & Harpenden Review
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WHAT IS A WOMMETT
The Autobiography of Mick Abrahams
Apex Publishing Ltd (November 2008)
Hardback: 214 pages: 14cm x 22cm
ISBN: 1-906358-48-6
For the handful of people out there who don’t know, guitarist Mick Abrahams was a founder member of Jethro Tull. Having joined the John Evan Band in late 1967, he stuck with Ian Anderson and Glenn Cornick when that band imploded, and with new recruit Clive Bunker was there for the first twelve blues-flavoured months in the life of our favourite group. Post-Tull, Mick had considerable success with the memorably monikered Blodwyn Pig, and he still plays and records today.
But of course, there’s a lot more to the story both before Tull and after the Pig and, after a scene-setting Foreword from legendary broadcaster Bob Harris, here it all is in black and white. Mick acknowledges in his Preface that some readers might think he’s been more concerned about recalling funny incidents that the actual music, but he’s actually selling himself a little short there. There are indeed numerous tales of often drink-fuelled lunacy – even Keith Moon makes a cameo appearance – told in Mick’s inimitable style (although the language mostly manages to stay just the right side of bawdy). But there are also plenty of moments when his love of music and of jazz and blues in particular shines through. And what is also apparent is that, whilst he has made mistakes – and blimey, which of us hasn’t in a lifetime? – underneath the brash humour there is also a man of intelligence and humanity. Despite the ‘lads on the road’ tone of parts of the book, some of the more thought-provoking and moving parts are when Mick takes a step back and offers observations on his own and other people’s outlooks on life.
The Tull chapters chart the excitement of gradually ‘making it’, with the astonishing reception they received at the Sunbury Festival being a highlight, and also don’t shirk from answering the “did he jump or was he pushed?” question of his departure (and, as readers of AND will know from our interviews with Mick, the answer is actually – both!). But time has allowed old wounds to heal, and Mick writes fondly of his old bandmate Ian Anderson, while reiterating why they could not have worked together longer than they did.
At one stage, after another risqué yarn, Mick says, “What do you expect from someone like me? Charles naffin’ Dickens? Tolstoy? Tom Clancy?” And with chapter headings such as “School Teachers – What a Bunch of Bastards!” there’s no arguing with that. But what this book is is an unpretentious and thoroughly entertaining trawl through a never less than interesting life starting from the year dot when 6-month old Mick was adopted, taking in the ups and downs in the seventies when, utterly disillusioned with the music biz, he actually packed his guitar away in the loft and effectively retired, and culminating in the current days of musical and family contentment.
And, most importantly of all, we do learn the answer to the question (and it is a question, despite the title’s lack of a question mark) “What is a Wommett?” And yes, it’s brilliant. And no, I’m not going to tell you…
The book is available from all the usual sources, but if you order it via Mick’s own website http://www.mickaby.freeola.com you can ask him to sign it for you.
The Jethro Tull Fan Magazine (English Edition)
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WHAT IS A WOMMETT
The Jethro Tull Fan Magazine (German Edition)
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WHAT IS A WOMMETT
The Brit (Madeira Newspaper)
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WHAT IS A WOMMETT - THE AUTOBIOGRAPHY OF MICK ABRAHAMS
When you get to the age of 65, it's a landmark time for reflection...
Ex-Jethro Tull, Blodwyn Pig and, well, Mick Abrahams Band guitarist, Mick has decided it's time for his.
He may not be on the list alongside Messrs Clapton, Page, Hendrix et al...but, hey, has he lived.
But not as you would imagine. The overwhelming adjective that this book inspires is the word NORMALITY.
Not that being a rock star on the fringes of the Premiership is normal, but the character of the man is so downright down to earth you're left with the feeling, yes, that could easily have been me if...
What do we learn? He was adopted. Bullied at school. A bit of a corporal punishment magnet. Joined the Territorial Army. Did judo and shooting and developed a keen blues rock style of guitar that led him into the heady 60s rock scene and beyond as a respected figure.
There are the anecdotes, such as he and Zeppelin drummer John Bonham wrapping a record company exec from head to toe in sticky tape and leaving him dumped in the middle of a traffic island...countless joyful and poignant memories of eventful gigs, colourful characters and Tull supremo Ian Anderson for whom Mick, although eased out of the band just as they were about to conquer the world, has nothing but respect and considers a true friend.
It's obvious this book is written without the help of a ghost writer as you feel the man's presence in every word.
It's an honest tale of amazing times from an honest man - and one with whom you would love to share a drink at the bar (as long as you could last the pace!).
Mick comes through as the guy next door (he even abandoned music for a while to clean windows only to be lured back after rediscovering his love for music after dusting down his guitar in the attic years later) and is as self-deprecating and openly decent and warm and ...that word NORMAL...as anyone standing next to you at the bar.
You may be only vaguely aware of who Mick is but, after this engaging and straightforwardly written book, you want to shake him by the hand and say, well done, mate.
He's the Everyman we all dream of being who, for a while, touched a bit of stardust but who, in reality, is just so happy to be blessed with family, friends and not a little talent.
Oh...and a Wommett is military abuse for a useless person...
(Apex, hardback, £12.99)
Lancashire Evening Post
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WHAT IS A WOMMETT
Guitar & Bass Magazine
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WHAT IS A WOMMETT
Milton Keynes Citizen
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WHAT IS A WOMMETT
Greenock Telegraph
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Young musicians with stars in their eyes would do well to read What is a Wommett (Apex Publishing 12.99) before being carried away on dreams of luxury living from the fruits of life in the rock world.
Mick Abrahams may not have achieved the heights of such brash luminaries as Ozzie Osborne or Gene Simmons, but the 65-year-old guitarist has achieved an enviable reputation as a doyen of the British blues scene. Yet, as a founder member of the iconic Jethro Tull, and frontman for the less widely acclaimed Blodwyn Pig and Mick Abrahams Band his financial status is hardly the stuff of dreams. In fact, despite rubbing shoulders with many of the music world's 'Greats' during the past five decades, his autobiography reveals that the lifestyle of "sex and drugs and rock 'n' roll" is far from glamorous.
Seedy backstreet hotels, unscrupulous agents, crooked promoters and lavatorial pranks in pubs litter a narrative that pulls no punches when characters are there to be assassinated. That's not to say this is an angry book. Far from it. Abrahams is at pains to paint a picture of a man with a sense of humour, happy in his (second) marriage with two grown sons and loads of reliable friends, finally at peace with where he is after a rollercoaster career of fame, "musical differences", loads of laughs and multiple frustrations.
The Abrahams story is written pretty much in chronological order from his adoption during the war and childhood in Luton before joining the TA (where he discovered what a wommett is and, no, I'm not telling) and his entrance into the rock world. Familiar names come and go through the narrative and Abrahams attempts to put the record straight on issues where rumours seem to have got out of hand among the faithful.
It's a highly readable account, in short chapters, for those not offended by a continual stream of expletives ... but, then, this is the world of Spinal Tap.
Burton Mail
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WHAT IS A WOMMETT
Wellington News
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WHAT IS A WOMMETT
Somerset County Gazette
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Mick Abrahams is a local legend. He played throughout the 1960s as part of various incarnations of the The Hustlers and with Ian Anderson, was a founding member of Jethro Tull. That sadly didn't last too long, but then formed Blodwyn Pig. Now whilst they ended up on TOTP, the band soon parted and Mick went on to form Wommett (who played Friars Bedford) and the Mick Abrahams Band (who played Friars Aylesbury). Blodwyn Pig reformed in 1974 and played Friars twice and then split again. They have reformed on and off since. Most recently they all got back together for a couple of songs at Mick's 65th birthday party gig in Milton Keynes which was compered by the legendary Whispering Bob Harris. Mick, was not so long ago, a guest of Never Mind The Buzzcocks' identity parade.
In 2008, Mick released his autobiography, 'What is a Wommett' and we caught up with him in Milton Keynes whilst he was on his promotional tour.
All we will say is that, having read the book, I now know what a Wommett is, it surprised me and if you want to know what it is - then buy the book and make Mick happy! That aside, the book concentrates of some of the adventures of Mick's life rather than specific musical highpoints. Along the way, you'll appreciate the writing style and the humour.
Mick Abrahams (MA): We used to play Aylesbury, either the Assembly Hall or the Town Hall. We used to back all the artistes of the day like Vince Eager, Dickie Pride (part of the Larry Parnes stable with Billy Fury, Marty Wilde, Tommy Steele and Joe Brown - Ed). Aylesbury was a stomping ground for us because we were Dunstable boys. We were always the supporting band. There was always a top band. Once or twice the top band never showed up so we would end up doing a whole evening and backing up singers like Eager and Pride. [and] Also Mike Sarne ("Come Outside"). So we were regulars [in Aylesbury] when we were still called The Hustlers. We were inspired by The Shadows....pinstripe down the side of the trousers that our mothers sewed in. Bow ties and all that nonsense, pinkle wickers (sic). I'm sure it was Aylesbury Town Hall.
Friars Aylesbury Website (FAW): The Borough Assembly Hall was the second incarnation of Friars. The Friarage Hall, or ex-Servicemen's Club was the first incarnation and was much smaller.
MA: I seem to remember playing there with the Mick Abrahams Band.
FAW: Going back, you were one of the founders of Jethro Tull [with Ian Anderson] and then moved on to Blodwyn Pig - isn't it true that the name for Blodwyn Pig came from someone who had, shall we say, imbibed on one too many herbal cigarettes?
MA: Herbal cigarettes would have been an understatement! The bloke who gave us the name [Graham Waller], bless his heart, is probably straight as a die now, as I am. [Waller] was an intellectual, but on the fine cusp of madness and he never knew what day was which. Graham was the kind of guy who would come in with a handful of all different coloured pills. One day he had five or six different pills and said "these look interesting.." and scoffed the lot. I said "what have you done you silly sod?!! What's going to happen now?" "I dunno old boy, but we'll soon find out won't we!!"" (laughs). He went all colours and started speaking in tongues.
FAW: Quite strange, I should think!
MA: Well, it was funny, but he couldn't give a stuff.
FAW: After Blodwyn Pig went their separate ways and you became the Mick Abrahams Band....
MA: Well, Wommett was the first incarnation but it wasn't working. People keep asking what is a wommett which is why I've called the book that. People ask me and I say they have to buy the book!
FAW: I'll have to mention on the website what a wommett is....!
MA: No, don't give it away!
FAW: So back in 1974, the first reformation of Blodwyn Pig and you played Friars twice at the Borough Assembly Hall....
MA: That must have been with Clive Bunker on drums if it was 1974..
FAW: Yes, but then old differences saw you split up again..... Didn't you leave the music business for quite a while?
MA: I went on [back] to the Mick Abrahams Band. It [ended up] with me firing a couple of people which I didn't enjoy doing. I'd only ever fired one guy called John Darnborough who was a lovely guy and a lovely player but he didn't have things in order.
FAW: He was in Wommett wasn't he?
MA: Yes he was, and it was after that that we had the Mick Abrahams Band in its various formats culminating in the three piece. [around this time] it got too much and did my head in and I went home one night and cried. It got too much for me and I was on the cusp on packing up. I just about held it together (mentally) but I said "bollocks, I've had enough of this, enough of Chrysalis, enough of the business" and that was it, the shop's closed, the shutters are down, I'm sticking my guitar up in the loft and it's staying there for a year. I meant it when I said it, but after about four weeks....
FAW: You got it down again!!!
MA: Yeah, I couldn't resist it! Probably two months tops, I got it down and started playing it again. But I did all sorts of things for a while. I was, and still am, a regular swimmer and a guy at the pool said "You're always here, why not work here and you can swim as much as you like for free! You could be a lifesaver and get paid for it" I thought, I'll have some of that, so I did that and then I was poached by another leisure centre who asked if I had ever done swimming pool management - that's a leap for a lifeguard! I said no, but I was a quick learner so I got the job. It was a normal job. I have a low boredom threshold. I was also selling second hand cars and selling life assurance. But I was still playing during that time in a semi-pro capacity. Then I thought you're older and wiser to deal with things now, so I got back into music full time sometime around the mid 1980s. Blodwyn Pig got reformed on a whim after we got pissed up one night....
FAW: But I guess you were all older and wiser and put any differences away....
MA: Yeah, we put life behind us, we soldiered on and got on with it.
FAW: And you had a great time?
MA: Yes we had a great time and I'm still looking forward to more good times. We had the 65th birthday party and just released the double CD of that which is absolutely excellent and the best live CD I've ever done.
FAW: The 65th birthday (which regrettably I couldn't go to because of holidays) was as I far as I can see a great time had by all...
MA: Not just a great time, but THE best time I've ever had.
FAW: And you got Blodwyn Pig back together....
MA: For two numbers, yes.
FAW: And Bob Harris paid tribute....
MA: Yes, he compered the show and writes in the foreword of the book that he is writing that as he is about to go onstage to compere my birthday party.
FAW: And one of your contemporaries, Paul Jones was there
MA: I'd never played with him before, but I've always been friendly with Paul and loved what's he done. He's a supreme harmonica player.
FAW: I did see him with The Blues Band at Friars and yes......
MA: He is in Larry Adler's league and Larry Adler to me, was probably the greatest expert in harmonica I ever heard...and he could play everything...with heart and soul and that was no mean feat. Paul exudes that lovely confidence that Larry has.
FAW: So you've had your 65th birthday party.....
MA: Yes, if you exclude the few years I had the hump with it although I was still playing, I have been in the business 45-50 years.
FAW: Including those days as a life guard...
MA: Yes, I was still playing 2-3 gigs a week. In fact, I was playing more then than when I was doing it for a living!
FAW: I guess if you hadn't fallen out of love with music.......
MA: I've never fallen out of love with music, ever. I fell out of love with the business. I wasn't well equipped to deal with the kind of knocks I was getting. Musicians are not special people, but they are a breed apart. The last people who should turn people over or get turned over are musicians or those from the performing arts...but that's maybe a naive point of view.
FAW: But you're not the only one to be disillusioned with the music business or particularly record companies.
MA: It's the record companies. They're not there for the musicians.
FAW: A lot of the time, they just see things as a money making exercise
MA: Yes, and they see people in the performing arts as an easy touch. Someone who's set up a bookshop like this (where we are conducting this interview) will be a tougher cookie to crack. That's the way of the world.
FAW: A lot bands, as they get older and wiser, manage to take complete control....
MA: That is very true and I wish them 100% success. But they need to be wary as they ever were because the crims (criminals) and the nasties will have got smarter too - they only want to take and not give. I want to give. I want to take something too, as I'm not a fool.
During our conversation, Mick breaks off several times to sign copies of his book and it is clear from the fans talking to him that Mick has been a big influence on them and he appears flattered that he regularly gets complimentary emails about his own style. He is modest and a great raconteur.
FAW: As far as Mick Abrahams 2008 is concerned, you're still going strong in the business and playing. I noticed your website... and a huge testimony to your music is that your website has had over 900,000 visitors which is astonishing. In fact astonishing for any website.
MA: I'm also astonished to find out that if you Google me, and take out the anomalies there are something crazy like 198,000 references to me....
FAW: Some of those will be the Friars Aylesbury website! You're referenced quite a few times...! I've also noticed of late, well the last few years, that you've been playing with Ian Anderson again.
MA: Yeah, all the hoo-hah between me and him ended about a year after me leaving the band (Jethro Tull). I don't think Ian's ever hated anyone - neither have I - but I was mad [at the time] at him. We've spoken about it since and [it was dealt with] a long long time ago.
FAW: Did you have cause to leave the band?
MA: I felt I was ousted. I left the band - I gave my notice as it was doing nobody any favours, so I tried to do it in a nice way..
The conversation broke here, but Mick makes it clear in his book that despite giving his notice, he was sacked from Jethro Tull.
MA: But me and Ian made it up after that. We sat down, recently about DVD interviews and a couple of ex-members of Tull made [in my opinion] untruthful references to me and Ian within Tull. Ian wasn't having any of it and was most gracious about my departure and conceded that they plotted behind my back and always hoped there wasn't any deep burning resentment. When I was interviewed for the DVD, I specifically said there was no hatred or resentment, so that completely cleared the air. I have always, and always will, respect Ian.
FAW: So, despite the anger in [the way] you left Jethro Tull, you and Ian have really always been on good terms..
MA: We don't live out of each other's pockets, we're not the same people. But he is an honest man. All sorts of people have come up to me to "get me onside" including a couple of ex-members of Jethro Tull for their own reasons, financial or otherwise. People have said "you know what he's like...." I've said [to those people] "it's your beef with Ian, don't try to bring me onside and start a war, I'm not interested"
FAW: You call it as you see it - you get on with the guy.
MA: Ian's been nothing but honest with me. Yes, we had a bad time. But what I truly believe is that Ian did what he had to do and I did what I had to do. What I didn't approve of is the method. I do truly agree that I was not to be a future asset to Jethro Tull because it wasn't me. Ian was proven right and I respect him for that. I still think to this day, that the problem was the management that split that band. As I found out this year, the same guy was instrumental in breaking up Blodwyn Pig! Draw your own conclusion from that statement....
FAW: At least at this stage of your life, there's no bad blood with Ian
MA: Not at all. I really enjoy playing with the old boy. I enjoy his company, he's a very witty gut with a dry sense of humour. Of nearly all the people who say bad things about him, I know him a lot better than a lot of these people
FAW: There aren't many rockers who play a flute...
MA: No - he's a complete contradiction in terms! any why not !
FAW: It must be pretty much Ian Anderson and Thijs van Leer from Focus who were using flutes in rock music [at that time]
You're still gigging as we go in to 2009 and I think people reading this interview on the Friars Aylesbury website will be pleased you are still going strong and gigging. I think your story......
MA: They'll have to find out by buying the book!
FAW: ..and people WILL find out exactly what a wommett is!
MA: It's got to be done!
FAW: Mick Abrahams, thank you very much.
MA: God bless you mate - I really appreciate it.
www.aylesburyfriars.co.uk
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Review of What Is A Wommett: The Autobiography of Mick Abrahams by Flicky Harrison. Out now with Apex Publishing Ltd.
The swinging sixties kicked up a musical dust that has never settled, and guitarist Mick Abrahams, one of the founder members of Jethro Tull, was caught up in the maelstrom of the time, and has continued to make music in various guises from jazz to blues to rock through the decades.
The guitarist has written his autobiography of those heady days of rock ‘n’ roll right from his school days through to his rise to fame with Jethro Tull and such bands as Blodwyn Pig and beyond.
His style is simple, straightforward English with no fancy swirls. He recounts an anecdote with humour and panache. He conjures up colourful pictures of a time when Britain led the world in popular music. The stories will bring back memories for those who were around in the 1960s and intrigue those born later. There have been many rumours and counter rumours over the years about why the guitarist left Jethro Tull and his relationship with the lead singer Ian Anderson. In his book Mick sets the record straight and pulls no punches about his feelings on every event through his life.
The book has a foreword by radio presenter Bob Harris and is an easy read.
Swindon Advertiser
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WHAT IS A WOMMETT
Acoustic: The UK's No.1 Dedicated Acoustic Guitar Magazine
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WHAT IS A WOMMETT
Belfast Herald
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WHAT IS A WOMMETT
Herald & Post
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JETHRO TULL STAR IN ST ALBANS
A ROCK star popped into a village bookshop today to sign copies of his autobiography.
Mick Abrahams, the original guitarist with the successful rock band Jethro Tull, visited Borders in High Street, London Colney, to meet fans and to sign his book What is a Wommett.
Abrahams rose to fame during the 1960s and although one of the group's founders, he left after only one album, because of musical differences with singer Ian Anderson, later performing with Blodwyn Pig.
He has continued to delight fans with his own brand of blues, jazz and rock on highly acclaimed albums spanning several decades.
Speaking to the Review today Abrahams said: “I’ve always been a story teller. People around me kept asking when I was going to write a book so here it is.
“It tells readers my whole story – how I was born in the middle of an air raid in Luton, I was adopted, I moved around and then developed a rock style that led me into the 60s rock scene and beyond.”
He added: “I’ve had some great feedback already. Those who have read it say it’s like sitting in the same room and talking to me.”
The best part Abrahams said was writing about the countless funny and joyful moments he has had over the years.
He recalled the time he and Zeppelin drummer John Bonham wrapped a record company executive from head to toe in sticky tape and left him in the middle of a traffic island.
When asked about his relationship with Anderson now he said: “It’s prefect. I have nothing but respect for him and consider him a true friend.
“I have no regrets leaving the band early. I went on to do so many different things including acting.
St Albans & Harpenden Review
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WHAT IS A WOMMETT
The Luton News
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WHAT IS A WOMMETT
Daily Star Sunday (Take 5 Magazine)
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WHAT IS A WOMMETT
Play Music Magazine
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WHAT IS A WOMMETT
(The competition was also featured in St Helens Star, Runcorn and Widnes World, Crewe & Nantwich Guardian, Sale and Altricham Messengera and Stretford & Urmston Messenger).
Warrington Midweek
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WHAT IS A WOMMETT
Chichester Observer
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WHAT IS A WOMMETT
Great Yarmouth Mercury
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WHAT IS A WOMMETT
Spalding Guardian
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WHAT IS A WOMMETT
Tenby Observer
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WHAT IS A WOMMETT
Pockington Post
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WHAT IS A WOMMETT
Middlesbrough Evening Gazette
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-- Book Signings and Events
Mick Abrahams signed copies of his book 'What is a Wommett' at Waterstone's, Culver Square, Colchester.
Waterstone's, Culver Square, Colchester
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Mick Abrahams signed copies of his book 'What is a Wommett' at Waterstone's, Culver Square, Colchester.
Waterstone's, Culver Square, Colchester
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Mick Abrahams signed copies of his book 'What is a Wommett' at Clacton Air Show 2009.
Clacton Air Show 2009
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Mick Abrahams signed copies of his book 'What is a Wommett' at Borders, Brent Cross, London.
Borders, Brent Cross, London
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Mick Abrahams signed copies of his book 'What is a Wommett' at Waterstone's, Luton.
Waterstone's, Luton
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Mick Abrahams signed copies of his book 'What is a Wommett' at Borders, London Colney.
Borders, London Colney
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Mick Abrahams signed copies of his book 'What is a Wommett' at Borders, Milton Keynes.
Borders, Milton Keynes
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Mick Abrahams signed copies of his book 'What is a Wommett' at Waterstone's (Silbury Arcade), Milton Keynes.
Waterstone's (Silbury Arcade), Milton Keynes
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Mick Abrahams signed copies of his book 'What is a Wommett' at Waterstone's, Banbury.
Waterstone's, Banbury
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Mick Abrahams signed copies of his book 'What is a Wommett' at Borders, Cambridge.
Borders, Cambridge
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Mick Abrahams signed copies of his book 'What is a Wommett' at Waterstone's, High Street, Chelmsford.
Waterstone's, High Street, Chelmsford
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Mick Abrahams signed copies of his book 'What is a Wommett' at Falmouth Bookseller.
Falmouth Bookseller
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Mick Abrahams signed copies of his book 'What is a Wommett' at Waterstone's, Truro.
Waterstone's, Truro
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